Oddly enough, the violins didn’t play much at all, and the orchestra rarely registered as a tutti ensemble but did congeal in the last few measures to bring the piece to a close. He exchanged pizzicato passages with the strings and created glimpses of harmony with the celeste and harp. The soloist was often paired with a section of the orchestra or with a few players.įor example, Moser’s sound skipped along while the bassoons muttered expressed a soulful cry to the accompaniment of the lower strings and stirred things up a bit alongside a plucky clarinet. Once in a while, a melodic snippet would appear from Moser’s cello (a gorgeous-sounding Andrea Guarnei from 1694), or from the orchestra. But I can also go the other way around, starting with a chord progression and writing a melody that fits with it. But right out of the gate, Holloway’s cello concerto flitted here and there, barely establishing any kind of mood at all. I will improvise a melody and I can hear which chords will go underneath each melodic snippet. So the composer, escorted to a microphone by the conductor while the stage crew reset the stage for his concerto, mentioned that his piece was meant to convey a variety of moods rather than tell a specific story, which was a big part of the Dukas and Rimsky-Korsakov numbers. Starting with the melodic snippet Prologue, we then move to the boogie rock of Momma B which showcases Innes’ sense of the absurd in the lyrics and manages to squeeze a few exquisite Halsall solos in its two minutes and 54 seconds. Originally planned for an initial performance in October of 2020–but postponed because of the pandemic–Holloway’s concerto needed a bit of explanation beyond the program notes. It’s a sequence of notes that alternates between the fifth and third notes of a major scale, typically starting on the fifth. It's analysis, which doesn't really include a judgement of quality (at least, not when done. I like to call this melodic snippet the Millennial Whoop. I wouldn't consider these 'guidelines' for melody writing though (it doesn't 'work' because there's a fancy name for it). First is a bit of improv based on the chords for Prince’s Purple Rain. Things such as neighbor tones, passing tones, appoggiatura, reaching tones, escape tones, etc are all things in melodic analysis. At the end of the spanking new concerto, many of us in the audience were still scratching our heads wondering what it was all about. Just a couple of little melodic snippets of Joseph’s playing. Photo courtesy of the composer.īut Holloway’s concoction didn’t stand up well despite the emotive playing of virtuoso cellist Johannes Moser and the incisive conducting of Eun Sun Kim. 19 likes, 1 comments - Furtados Music - Buy Musical Instruments Online (furtadosmusic) on Instagram: 'Repost demonstealer with makerepost Here is a.
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